"Art seems compromised, historically, socially. Whence the effort on the part of the artist himself to destroy it." (The Pleasure of the Text, 1975, p. 54)
"Unfortunately, this destruction is always inadequate; either it occurs outside the art, but thereby becomes impertinent, or else it consents to remain within the practice of the art, but quickly exposes itself to recuperation (the avant-garde is that restive language which is going to be recuperated)." (p. 54)
Finally, he states,
"what is not directly concerned with destruction, evades the paradigm, and seeks some other term: a third term, which is not, however, a synthesizing term but an eccentric extraordinary term." (p. 55)
Perhaps (and I say this guardedly, since I might not know what I'm talking about) this "third term" in the world of Feist manifests itself in her self-proclaimed singing style "jhai" (pronounced like the letter "J"). More about this later.